(This is the point at which I start a prayer circle for a Rihanna guest judge appearance for Season 14.) There’s actually a lot of Rihanna talk this episode, as Symone cites her as an inspiration growing up (along with Lil’ Kim), and Jaida mentions later that she got to walk in Rihanna’s Savage x Fenty show. Symone gets an adorable message from family as well, and shares that she has joined the Messaged By Rihanna club. During her in-show lip syncs, Rosé was known for a dip or two it’s tough to imagine she’ll be able to do them if she’s not in top shape. But Rosé foreshadows some trouble ahead: She sprained her ankle a few months back, and it’s not fully healed yet. Rosé’s whole family is on hand to deliver a message from home, and they’re a lovely lot. I held out hope that that element of the finale, at least, would return this year. Meanwhile, the original music video performances we got last season (in particular Crystal Methyd’s “I’m Like a Bird”) were unique, fresh and exciting. Lip Sync for the Crown has given us some great performances, like Yvie Oddly’s “The Edge of Glory,” Aquaria’s “Bang Bang,” Peppermint’s “Stronger” and, most significantly, Sasha Velour’s “So Emotional,” but there have definitely been diminishing returns since its premiere. To tell the truth, as a major fan of that at-home finale, I’m a little disappointed the show seems so determined to sweep away that format and return to what was done before. But the Lip Sync for the Crown finale format is back, and things are returning to normal about as much as they can. And the cast on stage may be limited to RuPaul, the top four queens, our stunning current reigning winner Jaida Essence Hall and Miss Congeniality Heidi N Closet (plus a cast of Pit Crew dancers, of course). That shot-at-home finale from last year? Forget it! A thing of the past! There may not be an audience on site. So I’ll look down at this necklace, and it will remind me.” But if you’re in a pinch, she also recommends a Sonic gift card: “That is my favorite restaurant, and I feel like everyone should have the opportunity to go.We are back to the United Artists Theatre in Downtown Los Angeles’ Ace Hotel. The best gift she’s ever received was a gold nameplate necklace Monroe gave her when she returned home after filming Drag Race: “RuPaul gave me the advice to have a totem that makes you remember who you are when you get lost sometimes. Symone believes great holiday presents indicate you’ve actually been paying attention to the person. Vanderbilt is the biggest Christmas traditionalist of the bunch, and spearheads the group’s annual A Very Vanderbilt Christmas talent show. “I usually bring the plates and the cups, because I don’t know how to cook,” Symone says. (Monroe is the stylist behind many of Lizzo’s most memorable looks, including that tiny Valentino purse.)Ī chosen family, the group has spent many holidays at one another’s homes. They all eventually relocated to Los Angeles, where they started to throw parties, making inroads into the creative and fashion worlds. Stylist and creative consultant Marko Monroe, performer Grant Vanderbilt, videographer Caleb Feeney, and Hunter Crenshaw, who handles much of the scheduling and keeps everyone else in line, had made a name for themselves by enlivening Little Rock’s underground queer nightlife scene. Symone first fell in with the House of Avalon in 2015, at a drag competition called Fresh Fish, in Little Rock, Arkansas. “It definitely takes a village to make all these things happen.” Some of the things that have happened to Symone since the 26-year-old won the 13th season of RuPaul’s Drag Race: attending the Met Gala, walking in Rihanna’s Savage x Fenty show, and fronting Moschino’s fall 2021 campaign. “People say ‘team,’ but I call them my family,” says Symone, the drag queen and model, of the House of Avalon, the friend group turned queer style and culture incubator.
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